All men can be heroes. All men can be husbands. (x)

troy and abed

bot:

3/50 - Jeremy Renner

(Source: ladyt220)

captainrenner:

RENNER SPELLED BACKWARDS IS STILL RENNER

fat-birds:

Kittiwake by bojangles_1953 on Flickr.

photobombing extraordinaire

(Source: scienceandrollerskates)

Based on the idiom “eat your words”.

angry-comics:

The Quietest Place on Earth Will Drive You Insane Within 45 Minutes

There’s a small room in Minnesota that blocks out 99% of all external sound. That’s an impressive number! Also impressive: nobody can take more than 45 minutes alone in the room before they go nuts.

The Daily Mail describes Orfield Labs’ anechoic chamber—perfect for making extremely sensitive audio measurements. But also perfect for sending you into a hallucinatory hell so hellacious you’ll need a chair:

‘When it’s quiet, ears will adapt. The quieter the room, the more things you hear. You’ll hear your heart beating, sometimes you can hear your lungs, hear your stomach gurgling loudly. ‘In the anechoic chamber, you become the sound.’ And this is a very disorientating experience. Mr Orfield explained that it’s so disconcerting that sitting down is a must. He said: ‘How you orient yourself is through sounds you hear when you walk. In the anechnoic chamber, you don’t have any cues. You take away the perceptual cues that allow you to balance and manoeuvre. If you’re in there for half an hour, you have to be in a chair.’

That sounds swell. Just the serene quiet of you, your thoughts, and the unceasing pounding of the human heart. Your brain can’t take it, apparently, and begins to fabricate sounds that aren’t really there—completely delusional noises meant to block out the churning of your own horrid biomass.

(Source)

dear god

cavetocanvas:

Maurice Denis, The Muses, 1893

From the Musée d’Orsay:

In the guise of women dressed in contemporary clothing, Maurice Denis updates a subject taken from classical mythology – the muses who inspire the arts and sciences. But he transforms the theme profoundly, stripping the muses of the traditional attributes which allow them to be identified.

In the group of three women sitting in the foreground we can see the figure of Marthe, whom the painter married in June 1893 and who inspired his art until her death. In a device common in Denis’ work, she is shown twice: in profile in red and from the back, sitting on the chair. Maurice Denis has set the scene on the terrace of Saint-Germain-en-Laye, the town where he lived all his life. The century-old chestnut trees give the composition rhythm and decorative power. The regular strokes of the tree trunks are a pretext for a play of vertical lines which contrast with the curves and ornamental arabesques of the branches, the leaves strewn on the ground, and the patterns and folds of the dresses. The graphic play of lines and interlacing is intensified by the unreal, autumnal colours, painted in areas of flat colour and neatly outlined. The flattened space is that of a “sacred wood”, the setting for a revelation and the figures’ mysterious communication with nature and supernatural powers. An enigmatic tenth muse in the background (while traditionally there are only nine), with one arm raised to the light of the sky, convinces us of that.